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Sommaire / Contents : Preface – In Memoriam – « Memories of G. Richard Dimler, S.J. » – Articles – U. SEELBACH, « Tobias Stimmer’s Emblematic Pictures in Johann Fischart’s Geschichtklitterung » ; E. Gérardy, « Emanuele Tesauro’s Poetics of the Device in the Light of Scholastic Logic » ; M. LA CORTE, « Emblem Ceilings and Walls in German Palaces and Manor Houses » ; W. S MELION, « De Virgine natalitia ad rapientem: Marian Maternity, Militancy, and Mimesis in the First Marian Emblem Book—Jan David, S.J.’s Pancarpium Marianum of 1607 » ; R. Raybould, « Emblems and the Symbola of Pythagoras » ; J. Krasnobaeva, « The Numismatist Nils Keder (1659–1735) and his Emblematic Practice » – Reviews.
eviews.
Sommaire / Contents : Preface – In Memoriam – « Memories of G. Richard Dimler, S.J. » – Articles – U. SEELBACH, « Tobias Stimmer’s Emblematic Pictures in Johann Fischart’s Geschichtklitterung » ; E. Gérardy, « Emanuele Tesauro’s Poetics of the Device in the Light of Scholastic Logic » ; M. LA CORTE, « Emblem Ceilings and Walls in German Palaces and Manor Houses » ; W. S MELION, « De Virgine natalitia ad rapientem: Marian Maternity, Militancy, and Mimesis in the First Marian Emblem Book—Jan David, S.J.’s Pancarpium Marianum of 1607 » ; R. Raybould, « Emblems and the Symbola of Pythagoras » ; J. Krasnobaeva, « The Numismatist Nils Keder (1659–1735) and his Emblematic Practice » – Reviews.
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Contents / Sommaire : Preface to Volume 3 – IN MEMORIAM – ARTICLES – P. CHONÉ, « Les Menus propos by Pierre Gringore (1521): The “Perfect Book” before Alciato » ; E. PRIKI, « Pride and Punishment: Echoes of the Executioner Cupid from the Hypnerotomachia Poliphili in Sixteenth- and Seventeenth-Century Emblems » ; W. S. MELION, « Analogies Known and Unknown in Sylvestro Pietrasanta, S.J.’s De symbolis heroïcis » ; M. DRAGONOVÁ, « Emblematic Structures in Czech Catholic Sermons around 1700 » ; H. RENDERS, « J. E. Gossner’s Emblem Book The Heart of Man in Brazil: A Protestant and Pentecostal Perpetuation of the Catholic Reform’s Worldview » ; D. L. DRYSDALL, « Pythagoras and the Cranes, or Prudence for Students » ; B. F. SCHOLZ, « The Fate of an Early Modern Honorific Epithet: Andrea Alciato as “Emblematum Pater et Princeps” in 1666 and after 1964 » – NOTICES – L. KONOPA, « Applied Emblematics in Lublin, Poland: Murals Based on Prints from the Emblemata Saecularia » – REVIEWS – VOLUME INDEX.
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Contents / Sommaire : Préface to Volume 2 – Articles – D. L. Drysdall, « Andrea Alciato: The Law and the Emblems » ; C. Niekus Moore, « Emblematic Schools of Virtue and Vice: Lucas Martini’s Ehrenkräntzlein (1580) and Lasterspiegel (1592) » ; W. S. Melion, « Hendrick Goltzius’s Method of Exegetical Allegory in His Scriptural Prints of the 1570s » ; T. Cholcman, « Three Parts Divided: The Construction, Reconstruction, and Deconstruction of Festival Emblems » ; L. Mercado, « Sepulchral Space in Villamediana and Vaenius » ; D. Caracciolo, « “The Images and Similitudes of Things”: The Symbolic Ars in the Works of Giulio Cesare Capaccio » ; K. Dolejší, « The Pearl of the Orient: Xaverian Emblems in a Jesuit Book of 1663 from Olomouc » ; U. Schöntube, « Church Emblems and Their Literary Sources in Brandenburg and Upper Lusatia » – Notices – C. D. Fletcher and M. KRC, « The Emblemata Politica in Context: A New Approach to Digital Facsimiles of Emblem Books » – Reviews – Volume Index. Volume Index.
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Volume Index: Articles and Notices by Author - Bath, Michael. The Proofs of Antonio Tempesta’s Engravings for Historia Septem Infantium de Lara: A Correction; Cheney, Liana De Girolami. Four Imprese by Bernardino Poccetti for the Ceiling of the Loggia of the Palazzo Marzichi-Lenzi in Florence; Chorpenning, Joseph F. Ars laudandi, Francis de Sales’s Picture of St. Joseph’s Sanctification, and Its Emblematic Adaptation by Adrien Gambart; Ellens, Jantina. “Skrue up the Heightened Pegs of Thy Sublime Theorboe”: Tuning the Senses in Quarles’s Emblemes (1635); McDonald, William C. Standing atop a Dying World: Observing a Printer’s Device of Franz Behem; Pinson, Yona. Hans Holbein the Younger’s Marginal Drawings for Erasmus’s Praise of Folly (Basel, 1515): Pre-Emblematic Patterns; Smart, Sara. Fashioning the Great Elector: The Iconography of the Berlin Triumphal Entries of 1677 and 1678; Wade, Mara R. Emblemata Politica in Context: Georg Rem’s Manuscript at the Newberry Library - Reviews.
Contents / Sommaire: Préface to Volume I – In Memoriam – Memories of Daniel S. Russell ; Memories of Gabriel Hornstein – Articles – S. Smart, « Fashioning the Great Elector: The Iconography of the Berlin Triumphal Entries of 1677 and 1678 » ; L. De Girolami Cheney, « Four Imprese by Bernardino Poccetti for the Ceiling of the Loggia of the Palazzo Marzichi-Lenzi in Florence » ; W. C. McDonald, « Standing atop a Dying World: Observing a Printer’s Device of Franz Behem » ; J. Elles, « “Skrue up the Heightened Pegs of Thy Sublime Theorboe”: Tuning the Senses in Quarles’s Emblemes (1635) » ; J. F. Chorpenning, « Ars laudandi, Francis de Sales’s Picture of St. Joseph’s Sanctification, and Its Emblematic Adaptation by Adrien Gambart » ; Y. Pinson, « Hans Holbein the Younger’s Marginal Drawings for Erasmus’s Praise of Folly (Basel, 1515): Pre-Emblematic Patterns » – Notices – M. Bath, « The Proofs of Antonio Tempesta’s Engravings for Historia Septem Infantium de Lara: A Correction » ; M. R. Wade, « Emblemata Politica in Context: Georg Rem’s Manuscript at the Newberry Library » – Reviews – Volume Index.
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Henrik ACHEN,
Carsten BACH-NIELSEN,
Allan ELLENIUS,
Elita GROSMANE,
Simon MCKEOWN,
Sabine MÖDERSHEIM,
Lena RANGSTRÖM,
Ojars SPARITIS,
Julian VASQUEZ,
Mara R. WADE,
Marcin WISLOCKI
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